I wrote this as an actual book report for school last year. That would be why it sounds less critical than it does an overview.
Imagine a castle in England plagued with secrets. Such was a theme that Charlotte Brontë created in her 1847 book Jane Eyre. Smith, Elder, & Co. published it on 19 October of that year, printing above 400 pages. But is this novel really worth its enormous popularity? The characters and the plot, as well as the level of morality, decide the question of Jane Eyre’s quality.
The well-crafted characters are a
huge asset to Jane Eyre’s worth. The heroine, Jane Eyre, has
been influenced by her childhood training to become a calm,
intelligent, principled person, though her plainness of appearance is
viewed as a setback. Likewise, her employer at Thornfield Hall,
Edward Rochester, is sardonic and simultaneously poetic, with a
generous percentage of redeemable evil resident within him. These two
are the spine of the story, but others (such as Mrs. Fairfax and St.
John Rivers) also bear poignant personalities.
An intricate plot supports the
body of the book. Jane grows to love Mr. Rochester, despite his
pledge of marriage to Blanche Ingram, and the variety of strange
occurrences about the house. Eventually Rochester proclaims his love
for Jane—that the courtship with Miss Ingram is a pretense—and
they become engaged. However, the terrible revelation that Rochester
is already married, to a madwoman imprisoned in the attic, forces
Jane to leave the house. In Jane’s absence, the madwoman sets fire
to the house and commits suicide, while Rochester is blinded and
maimed, and anguishes for months after. It is only when Jane returns
to him that the two are reconciled and marry.
Finally, the principles upheld in
this book clearly illustrate Brontë’s Protestant faith and
provide imminent satisfaction for Christian readers. Jane is
convinced that she cannot marry Rochester, for in so doing she would
become his mistress and create in him a bigamist. When at last Jane
and Rochester reunite, Rochester is deeply humbled and sinks to his
knees that he may thank God. Also, in the subplots to the main
subject, there is more than enough evidence of Christianity—for
example, Helen Burns at Lowood School, and St. John Rivers at Moor
House.
In viewing the three
above subjects, it is apparent that Jane Eyre deserves its
many praises. Brontë created the characters so that they are
identifiable, maddening, and humorous—three descriptions of
real-life individuals. The deep plot enhances the effect of the
characters and builds in suspense until the scene in which Rochester
confesses his present marriage. Besides that, the Christian morals
are abundant throughout the whole book. The secretive manor-house has
beckoned for one and a half centuries; it is still calling today.
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